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te provoaca sa gandesti
la maison
L'ARGENT
Il peut acheter une maison Mais pas un foyer Il peut acheter un lit Mais pas le sommeil Il peut acheter une horloge Mais pas le temps Il peut acheter un livre Mais pas la connaissance Il peut acheter une position Mais pas le respect Il peut payer le médecin Mais pas la santé. Il peut acheter du sang Mais pas la vie Il peut acheter du sexe Mais pas de l'amour
Henri Cartier-Bresson (1908 – 2004), fotograf - OMAGIU
- de
ovidiusimina
la: 11/08/2004 10:54:33
(la: O conversatie cu DINU LAZAR, fotograf) « Au fond, ce n’est pas la photo en soi qui
m’interesse. Ce qui je veux c’est de capter une fraction de seconde du réel » Henri Cartier-Bresson (1908 – 2004) =================================================== Kingdoms of the world in a moment Aug 5th 2004, From The Economist print edition http://www.economist.com/cities/displaystory.cfm?story_id=3071607 Henri Cartier-Bresson, whose photographs defined the 20th century, died on August 3rd at the age of 95 ALTHOUGH his name was familiar almost everywhere, far more so indeed than his work, Henri Cartier-Bresson himself was not a familiar sight. With his alert blue eyes and a coloured handkerchief knotted round his neck, he would wander the streets near his home on Paris's rue de Rivoli and seldom be recognised. One of the greatest photographers of the 20th century was himself rarely photographed. In his lifetime, he travelled to all corners of the earth, capturing images of some of the most extraordinary moments of 20th-century history—the Spanish civil war, the liberation of Paris after the second world war and the funeral of Mahatma Gandhi. At the same time he framed and preserved less famous moments, elevating them with his genius so that they somehow seemed to capture the essence of life itself. His unequalled ability to seize a millisecond in time was uncanny. In his book “The Decisive Moment”, published in 1952, he wrote: “It is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as a precise organisation of forms, which give that event its proper expression.” He was never very interested in the technology of photography, in the effects that could be obtained during developing and editing in a dark room. It was all about the thrill of the chase, the chance to seize a moment. The man who first inspired Mr Cartier-Bresson was a photographer called Martin Munkacsi, whose picture of naked African boys running into Lake Tanganyika in 1931 persuaded him to take photography seriously. “I couldn't believe that such a thing could be caught on camera,” he said, “so I grabbed my Leica and went out into the street.” Between 1932 and 1935, he lived rough in Italy, Mexico and Spain where he took some of his most memorable images. Back in Paris he worked with Jean Renoir, a film director, and ended up playing the unlikely role of an English servant in the director's masterpiece, “La Règle du Jeu”. He was a prisoner-of-war for three years, and after the war was one of the founders of the Magnum agency, a trail-blazing photographers' co-operative. In 1948 he went on the road again, mostly to India and China (in time for the fall of Chiang Kai-shek), in an age when the images of photojournalists like him filled the pages of picture magazines that were, in the pre-television era, hungrily viewed by millions. Unassuming genius For the last quarter of a century, Mr Cartier-Bresson eschewed photography, taking only the occasional snapshot of friends and family, and turning his attention to drawing. (He trained originally as a painter, his early work influenced by his friend, the surrealist artist Max Ernst.) He maintained that he scarcely wanted to discuss photography any more. “It's like when you're divorced”, he said, “and people keep asking about your former wife. There's something indecent about it.” He settled into a quiet life in France—in Paris and in the small house that he owned for some 30 years in the Lubéron, a region in the south of the country, to the east of Avignon. And there he died on Tuesday August 3rd, just less than three weeks away from his 96th birthday. Mr Cartier-Bresson always said that to be a great photographer you had to be unintrusive. “For me, photography is very much a physical pleasure—it's like hunting, except that we don't kill.” At the height of his career he would stalk his subjects, and his quarry would often be unaware that it had been captured on film. His desire to remain out of the limelight stayed with him to the end, including his wish to hold back the world's photographers from the funeral of one of the greatest of them. His funeral was a private affair attended by some 50 family and close friends. Only after it had ended did the French Ministry of Culture make an official announcement of his death. And the next day, August 5th, many of his most famous images were splashed across the front pages of newspapers the world over: a woman slapping an informer she recognises at a deportation camp in Dessau in 1945; Muslim women in Srinagar, Kashmir, praying to the sun as it rises over the distant Himalayas; and a French family picnicking by the River Marne in 1938, almost a last pre-war moment of stillness. Of Mr Cartier-Bresson's death, President Jacques Chirac said: “With him, France loses a genius photographer, a true master, and one of the most gifted artists of his generation.” But it is not only France's loss. Mr Cartier-Bresson's fame, which grew despite his efforts to avoid it, reminds a much wider world of its persistent admiration for unassuming genius, and of the dwindling stock of targets for that admiration. ================================================ La famille d'Henri Cartier-Bresson, la Fondation Henri Cartier-Bresson, les photographes et l'équipe de Magnum Photos ont la tristesse de vous annoncer le décès d'Henri Cartier-Bresson le 3 Août à 9h30 dans sa maison du Luberon.Les obsèques ont eu lieu dans la plus grande intimité. Un hommage sera organisé à sa mémoire début septembre. ================================================ Mai multe informatii referitoare la persoanlitatea si opera lui Henri Cartier-Bresson puteti gasi pe site-ul MAGNUM Agency, fondata de HCB. Adresa este http://www.magnumphotos.com/c/ , asa cum s-a mai spus pe acest forum de discutii. Intr-adevar, acolo putem vedea cu totii niste fotografii. Adevarate... din Bucuresti, un biet ucenic intr-ale fotografiei, Ovidiu SIMINA 11/08/2004
La noi sunt codri verzi de brad...
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Dinu Lazar
la: 07/10/2004 05:26:33
(la: O conversatie cu DINU LAZAR, fotograf) ...dar ii taiem si pe aia.
Fotografi care sa faca asa un seminar, nu sunt. Poate in viitor...cind ne-om integra, care este. > A Panel Discussion Sponsored by: > The American Society of Media Photographers (ASMP) and Editorial > Photographers (EP) > > Supported by Adobe > > Friday, October 22, 2004 > Javits Center/PhotoPlus Expo > 3:00 PM to 5:00 PM > Seminar Rms. 1E04 & 05 > Free > > Join an extraordinary panel of photojournalists in a discussion of the > impact of digital technology on the editorial market: Barbara Alper, > Alan Chin, Shawn G. Henry, and Brad Trent moderated by Peter Howe. The > focus of the discussion will center on how to successfully integrate > digital capture into a creative and profitable editorial photography > business. Topics to be discussed include: > > • The Transition from Film to Digital > • Pricing Digital Production VS Film > • Managing the Workflow > • Delivering the Job > • Satisfying Clients While Maintaining Your Bottom Line > > Biographies: > > Barbara Alper is a New York City based photographer and regular > contributor to The New York Times, Barron's, Wall Street Journal; she > works with a number of corporate clients and has acted as a consultant > to Olympus. Her works are included in the collections of Bibliothèque > Nationale, Paris,The Brooklyn Museum, New York, FNAC Galeries, Paris, > Harry Ransom Humanities Research Center, University of Texas at > Austin, International Center of Photography, New York, L'imagerie, > Lannion, France, Lehigh University, Pennsylvania, Maison Européenne de > la Photographie, Paris, The New York Public Library, The Polaroid > International Collection, Victoria & Albert Museum, London and The > Wagstaff Collection. She has exhibited widely throughout the United > States and Europe. Barbara Alper is represented by Mega Press Agency > (Japan) and Stock-Boston (USA). > > > Alan Chin has spent recent years covering conflicts in Iraq, > Afganistan, the Middle-East, the former Yugoslavia & Balkans for > outlets such as The New York Times, Newsweek, and Gamma. His current > images appear regularly in The New York Times, The Christian Science > Monitor, The New York Daily News, The New York Post, The Boston Globe, > The International Herald Tribune, New York Newsday, The Guardian (UK) > as well as Time, Newsweek, U.S. News & World Report, Vanity Fair, New > York Magazine, Brill's Content, Marie-Claire, MacLean's, Maxim, > Seventeen, VERY Style Guides. His photography is part of the > permanent collection of the Museum of Modern Art and Alan has been > nominated twice of the Pulitzer Prize for photography by the New York > Times, 1999 & 2000, for coverage of the Kosovo conflict. > > > Shawn G. Henry has over 16 years experience as an editorial and > corporate photographer; for almost three years, he's shot digitally > exclusively. He's photographed for clients ranging from FleetBoston & > Fidelity Investments to National Geographic & Newsweek, and his work > appears regularly in Business Week and Forbes. He is the vice > president of EP. > > Brand Trent over the last 22 years has worked for such editorial > clients as Time, Life, Sports Illustrated, The New York Times, GQ, > Premiere, Business Week, Newsweek, Men's Health and Texas Monthly. For > some reason General Motors, IBM, The NFL, Dow Plastics, Pepsi, Pacific > Bell, NBC and AT&T have all seen fit to let him shoot their > advertising! And until about a year ago he could be heard declaring > that digital had ZERO chance of getting a toe-hold in the mainstream > professional market! In that year's time he has gone from shooting > 100% film to about 95% digital; and aside from the completely sick > cost of his digital backs, doesn't really miss the old way of doing > business! > > Peter Howe with over thirty years experience in the photography > industry has worked as a photographer, editor, agent, writer and > curator. Presently he is occupied as an author and commentator on the > subject, and is a regular contributor to many of the publications that > deal with photojournalism, including the Digital Journalist, American > Photo, Columbia Journalism Review, and also to USA Today. He recently > curated the critically acclaimed exhibition "War in Iraq: The > Coordinates of Conflict" at the International Center of Photography in > New York. He also consults with and advises independent photo agencies > and individual photographers on strategies for the digital > organization, storage and licensing of their work. > > Howe was the Picture Editor of the New York Times Magazine and > Director of Photography for LIFE magazine. On three occasions he was > awarded first place for magazine picture editing in the National Press > Photographers Association/University of Missouri's Picture of the Year > contest, and won four National Magazine Awards from the American > Society of Magazine Editors. From 1997 to 2000, he was Vice President > of Photography and Creative Services for Corbis, where he was > responsible for the company's acquisitions worldwide, photographer > relations and copyright and contract concerns as they relate to the > digital environment. vad ca esti inca pe "baricade"!
Hai noapte buna ca eu o "tai" pour faire dodo a la maison! PS: Vezi ca mymy le are cu limbajul codat...face niste desene misto ;)) cu toate ca am probleme de interpretare la #90317 al ei :( blague Noël : Lettre
Cher Père Noël, Je t'ai laissé sous l'arbre des galettes au lait et des carottes pour tes rennes. Je t'aime. Suzanne Chère Suzanne, Les galettes au lait me donnent la diarrhée et les carottes font que mes rennes me pètent à la gueule quand je suis sur mon traîneau... Si tu veux vraiment être lèche cul, offre moi plutôt une bouteille de Chivas, une barrette de shit, et dis à ta mère qu'elle mette un string, ça m'excite. Père Noël auteur : Jojo Blague Noël : Lettre 2 Cher Père Noël, STP STP STP Je t'en prie STP STP je voudrais un chiot STP STP STP Je t'en supplie. Paquito. Cher Paquito, Ce genre de caprice gonflant me les brisent, ça marche sûrement avec tes parents qui le tolèrent parce que tu es adopté, mais moi je t'emmerde. Tu auras un pyjama rayé comme l'an dernier ça te fera les pieds petit merdeux. Père Noël auteur : Jojo Blague Noël : Lettre 3 Cher père Noël, ça fait 3 ans que je te commande un camion de pompiers, peux tu m'en trouver un cette année ? Merci. Luis Cher Luis, Pour me faire pardonner de ne pas avoir de camion de pompier, je vais brûler ta maison pendant que tu dors et tu vas avoir tous les camions de pompiers que tu veux. Bon dodo. Père Noël auteur : Jojo Blague Noël : Lettre 4 Cher Papa Noël, Pour cet année j'aimerais que tu fasses revenir mon papa à la maison pour qu'il se remette avec ma maman. Il me manque. Tendrement. Jean. Cher Jean, t'es con ou quoi? Tu veux que je foute en l'air la relation extra entre ton père et sa secrétaire alors qu'il s'amuse enfin avec une vrai femme!!!! Je t'amène un Légo et fous la paix à ton père, petit con. Père Noël auteur : Jojo Blague Noël : Lettre 5 Cher papa Noël, j'aimerais un vélo, une Dreamcast, un train, un garage, un poney, un chien, une guitare, et des action man. Je t'aime. Eusèbe Cher Eusèbe, tu veux pas un chèque en plus, connard !! en plus pour t'avoir collé un prénom aussi con, à mon avis tes parents ne t'aiment pas, moi non plus. Père Noël. auteur : Jojo nu aparate care produc aer ionizat? = m-ai bagat in ceata...cineva mi-a spus ca avea acasa aparat de produs ozon, d'aia m-am mirat ca exista asa ceva ca forma de "terapie a la maison" ;))
-am cautat si am gasit un site (cu alte link-uri) pt cunostinte generale: http://www.pancuantic.ro/utile.htm -eu ma gandeam la :))) (i) lamaie : proprietati antioxidante (blocaj pt ROS) ;)) (ii) morcov: vitamina A...piele, ochi, protectie, etc Voi la ce v-ati gandit ? Cehov - Sarutul
Maupassant - La maison Tellier Nabokov - Surorile Vane am o ora libera si sunt la lucru: imi fac ordine in hartii sau corectez extemporale sau introduc note in calculator sau ma duc pe internet sau mai mai stau la palavre cu colegii care mai au ore libere;
acasa, daca nu mai ies in ziua respectiva, imi fac o masca pt ten si par("faite maison", cu ingrediente proaspete, nu de-aia cumparata) si mai citesc cate ceva "en attendant"
Joe Dassin
- de
munteanu rodica
la: 17/08/2007 14:29:32
(la: Matmatah -- din seria "muzica frantuzeasca de azi")) Ça va pas changer le monde,
Il a trop tourné sans nous. Il pleuvra toujours sur Londres... Ça va rien changer du tout. Qu'est-ce que ça peut bien lui faire, Une porte qui s'est refermée? On s'est aimés, n'en parlons plus, Et la vie continue. Ça va pas changer le monde Que tu changes de maison. Il va continuer, le monde, Et il aura bien raison. Les poussières d'une étoile, C'est ça qui fait briller la voie lactée... On s'est aimés, n'en parlons plus, Et la vie continue. Ça va pas changer le monde, Ça va pas le déranger. Il est comme avant, le monde, C'est toi seule qui as changé. Moi, je suis resté le même, Celui qui croyait que tu l'aimais... C'était pas vrai, n'en parlons plus, Et la vie continue.
Manca-ti-as bani tai Printzeso.....
- de
cosmacpan
la: 05/11/2007 21:41:42
Modificat la: 05/11/2007 22:19:02
(la: Romanca deo Paris) sa nu ma intaratzi ca serenada
la Trevi, dezbracatzi, cu nud bronzat cat tine noaptea fi-va sarabanda Dopo Parigi anche a Roma - La maison de l'Entrecote.... nu-ti fie mila, ca mai pot sa dau din aripi pana-acasa, ca cu plafonul ast de nori, te lasa avionu' si nu ai patashuta... Ca sa invatz bine sanscrita platit-am lectii la Narghita si geama frishca-n stropi de-omat pe trupu-ti de capsuna (ori poate de cadana)..... C-apoi si frate de mi-ar fi, branza e tot pa....bani, ca in afaceri, verbu-a reusi, n-asteapta ca sa treaca ani sa fete bani ca-n nasteri..... la pragu' care-a rasarit din zatzuri si noroaie cu-n sase-sase la barbut bagi banu'...ti se-ndoaie, ce daca el e mai avut shishul la tine geme ai tras o linie, te-ai dus te-ntinzi...si-ti este lene.... Entrée :
Huitres Salade de queues d’écrevisses aux avocats, pommes et gingembre Langoustines à la vanille Avocats garnis aux crevettes Plat principal Escalopes de volaille à la crème de champignons Agneau sauté à la patate douce Coquilles Saint-Jacques safranées Courgettes farcies au risotto de fenouil et sésame Desserts Crumble aux pommes et aux noix (fait maison !) Tarte aux poires et à la crème de marrons ( fait maison !) Bûche au chocolat Glaces et sorbets Fruits …… si CHAMPAGNE ……….. Vin, tarii, cafea, ceai, tizane, infuzii…….. Si un pic de ProTv international, musique (mai multe genuri, dupa gustul fiecaruia) LA MULTI SI FERICITI ANI! pt maan in special ca-i confa ei si toata lumea PS azi is la "jeune hydrique" Eugenio D'Ors, un critic de arta spaniol, în "Profesiunea de critic de arta", Ed. Meridiane, 1977 pag. 143, zicea ca are trei faze de-a privi un tablou.
de fapt, patru. 1.tacerea 2.privire calma, aparent distrata 3.îndepartarea de opera de arta, cu preocupari pentru altfel de treburi 4.întoarcerea la opera, care-i prilejuieste, zice el, un "salut angelic, prilejuit de fiecare noua întâlnire" ... eu de tacere si privire calma am trecut, ca-l stiu de ceva vreme. m-am si îndepartat, ca-l uitasem deja daca nu era confa asta "vulgara". logic ar fi -daca folosim aceeasi tactica ca si senor d'Ors- sa urmeze salutul angelic, prilejuit de noua întâlnire (sau reîntâlnire). acu' întrebarea mea de baraj ar fi: exista salut angelic cu o m..e? chiar pictata de Picasso? bon, la Lautrec se schimba treaba, organu-i pe jumatate schitzat, acolo sigur nu-i vorba de vreun angelic, dar asta o lasam pe saptamâna viitoare ... devoir a la maison, cum ar veniiii ... (am pus patru "i", sa fiu sigur ca-s destui) ..... ramane viile din arles?
cred ca da, Theo fiind cel care se ocupa de vânzari, a confirmat-o într-o scrisoare. apropo de legenda, am citit acum ceva vreme o poveste cum ca niste detectivi au ajuns la concluzia ca van gogh nu si-a taiat urechea. cic-ar fi facut-o gaugain, iar cei doi au decis impreuna sa musamalizeze povestea. nu stiu, Van Gogh avea un imens respect pentru Gauguin, însa avea si teama. amintea într-o scrisoare catre Theo cât e de puternic, fizic (zicea ca daca-i mai puternic ca ei, precis si talentul era pe masura, proportional de mare :))..). Gauguin a declarat dupa 15 ani ani ca Van G. îl alergase cu briciul prin oras în noaptea ceea, dupa care s-a dus acasa si si-a taiat-o, însa niciunul nu vorbea cu placere despre eveniment. mai mult, un anume doctor Peyron confirma blackout-ul lui Van G. dupa eveniment ('pendant cet accès il se coupa l’oreille gauche mais il ne conserve de tout cela qu’un souvenir très vague, et ne peut s’en rendre compte.'), mai ales ca suferea si de epilepsie. un fel de remuscari avea totusi, de-i scria lui Theo dupa 10 zile: HOSPICES CIVILS de la VILLE D’ARLES BOUCHES-DU-RHONE Arles, le 2 Janvier 1889 mon cher Theo, afin de te rassurer tout à fait sur mon compte je t’écris ces quelques mots dans le cabinet de M. l’interne Rey que tu a vu toimême. Je resterai encore quelques jours ici à l’hôpital – puis j’ose compter retourner à la maison très-tranquillement.1 Maintenant je te prie à toi une seule chôse, de ne pas t’inquieter car cela me causerait une inquietude de TROP.– A présent causons de notre ami Gauguin, l’ai je effrayé? enfin pourquoi ne me donne-t-il pas un signe de vie. Il doit être parti avec toi. Il avait d’ailleurs besoin de revoir Paris et à Paris peutêtre il se sentira plus chez lui qu’ici. Dis à Gauguin de m’écrire et que je pense à lui toujours. Bonne poignée de main, j’ai lu et relu ta lettre concernant la rencontre avec les Bonger.2 C’est parfait. Pour moi je suis content de rester tel que je suis.3 encore une fois bonne poignée de main à toi & Gauguin. t. à t. Vincent cum s-au petrecut faptele exact, naiba stie, pesemne nici ei :) link de la scrisori gasesti aici, majoritatea sunt si-n franceza .... http://vangoghletters.org/vg/letters/let728/letter.html#
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(la: Despre spiritualitatea ortodoxa, cu parintele Iulian Nistea)
La Nice parintele Patriciu e de vreun an de zile:
Paroisse Saints-Constantin-et-Hélène (21 mai)
Eglise: Maison du Séminaire
29, Bd. Franck Pilatte, Nice
Pr. Patriciu Dorin VLAICU
8, rue de Dijon, 06000 Nice
tel: 0033 (0)4 93 16 86 82; mobil: 0033 (0)6 11 17 44 73
email: pvlaicu@wanadoo.fr ; pvlaicu@yahoo.com