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Veste importanta din Franta - de Dinu Lazar la: 22/05/2004 15:07:17
(la: O conversatie cu DINU LAZAR, fotograf)
Scrie un fotograf din Franta:

For those who intend to photography in France (you know the place where people have so exotic names, according to B. Yarvin) we have good news .
The cour de Cassation (our Supreme Court) has just stated a decision which largely is in favour of the photographers . I quote verbatim :
"le propriétaire d'un bien n'est pas le propriétaire exclusif de l'image de celui-ci" . Translation in my bad english : the owner of goods is not the exclusive owner of the image of these goods . The jurisprudence is so clear now that we can shoot buildings, houses and so on whithout fearing to loose in Court . There is one condition of course : not to be detrimental to the owner, by giving his adress for instance
#15758 (raspuns la: #15717) comenteaza . modifica . semnaleaza adminului
RUMI - de giocondel la: 13/08/2004 10:11:08
(la: Cele mai frumoase poezii)
"Out beyound ideas of wrongdoing and rightdoing,
there is a field.I'll meet you there.
When the soul lies down in that grass,
the world is too full to talk about.
Ideas,language,even the phrase"each other"
doesn't make any sense."
.........
Soul receives from soul that knowledge, therefore not by book
nor from tongue.
If knowledge of mysteries come after emptiness of mind, that is
illumination of heart.
.................
Sweetly parading you go my soul of soul, go not without me;
life of your friends, enter not the garden without me.
Sky, revolve not without me; moon, shine not without me;
earth travel not without me, and time, go not without me.

uMpic de concluzie si mai mult de peisaje ... - de Dinu Lazar la: 30/11/2004 21:25:14
(la: O conversatie cu DINU LAZAR, fotograf)
Acu` iata care e problema; preturile nu trebuie sa fie socotite pe bucata de obiect, ci la timpul consumat. Ar fi deci, in cazul comenzii de fotografie comerciala, pretul la ora si la zi; asa, din cite aud pe aici prin Capitala, in sectorul editorial se platesc: cam 50$ - 150$ pe zi la revistele de femei, cam 300$ - 500$ revistele straine care au nevoie de reportaje, si minim 400$-600$ pe zi la lucrarile comerciale; la asta se adauga desigur TVA si toate cheltuielile.
Sunt si lucrari comerciale platite bine si fotografi romani care pot negocia si 2000$ pe zi, pina in 4000$ pe zi - cam 4-5 oameni maxim; cea mai bine platita sedinta foto din Ro de care stiu eu a fost de cam 18.000 euro/zi, unui fotograf strain, normal, pentru o pza de tot rahatu` la o agentie mare de publicitate.
Astea nu sunt venituri care se cistiga in fiecare zi; cine are citeva comenzi pe luna e mare boier, concurenta e mare, si fotograful roman atita are cap sa faca, in loc sa sporeasca prestigiul meseriei si bransei, coboara pretu, ca atita minte are. Asta e...
Socotit la singe, costurile exercitarii meseriei sunt mai mari la noi decit oriunde ( ma rog, cine vrea sa fie legal in toate cele) si veniturile cam de 10 ori mai mici ca oriunde. Ma si mir ca exista fotografi pe aici in aceste conditii. Dar vazind slaba sau execrabila calitate foto a imaginii profesionale, a calendarelor, prospectelor, afiselor, posterelor, imi dau seama ca fotograful roman e mai shmeker decit pare, si respecta intru totul zicala: ei se fac ca ne platesc, noi ne facem ca muncim.

Italienii au transat mult mai bine problema; dati o cautare cu Tau visual.
Iata citeva chestii care mi se par deshtepte dar care la noi nu se pot aplica, datorita calitatii morale a majoritatii fotografilor romani.

UNDERSTANDING HOW IT WORKS

The first distinction to make is between :
A) an image which has to be created expressly for the job in hand (committed works)
or:
B) the acquisition for the rights of use to an already existent image.

A) If an image has to be created from scratch then its final price will
include labour, production costs plus the acquisition of rights to publish
or use the image.

B) If the image already exists a recompense will be paid to the photographer or agency to acquire the rights of the chosen image.

THE PROFESSIONAL LEVEL

It is not possible to produce a uniform price guide which is valid for all
photographers given that there are many different professionals which compete within the market place with decidely different personal ability.

Each photographer is free to personally evaluate their own level and consequently choose which fees should be applied.

TAU VISUAL LIST OF PROFESSIONAL LEVELS

Capacity or possibility of prices below that of level 1 are to be considered out of the market and not plausible in correct professional conduct.

Prices superior to those of level 7 are possible in all cases of famous
photographers.

-- LEVEL 1 --- A professional of sufficient or medium capacity without particular specialization, active at a local level, normally or minimally equipped and generally speaking oriented towards low budget jobs.

--- LEVEL 2 --- A professional of sufficient or medium capacity in line with the majority of assignements offered in his area. Active in an ample area locally without particular specialization, normally equipped and oriented towards economic solutions for clients.

--- LEVEL 3 --- A professional of good preparation with a medium technical capacity in line with average quality standards, nationally speaking. Active at a provincial and or regional level with a reasonable number of clients acquired, not available for the more economic assignements. This photographer will sometimes require the services of an art buyer, stylist, make up artist, etc.

--- LEVEL 4 --- A professional well prepared with a technical capacity which is medium or medium-high. Active in different regions and able to guarantee a perfect technical level for all normal shooting conditions, with a complete range of equipment. This photographer will often require the services of an art buyer, stylist, make up artist, etc. according to the needs of the client. Oriented towards the selection of work offered with exclusion to those of minor interest. An interesting portfolio of clients with at least one job a year with a nationwide diffusion.

--- LEVEL 5 --- A professional who is very well prepared with a medium-high or high level technical capacity, without doubt very well known compared to the average photographer in the same area; active both regionally and nationally and able to guarantee technically perfect results for all the accepted assignments, requires other professionals for the solution of specific problems and oriented towards a selection of works offered, with a significant portfolio of clients, undertaking al least 3 or more jobs with a nationwide diffusion a year.

--- LEVEL 6 --- An exceptionally well prepared photographer working both technically and creatively at a very high level, significant in absolute.
Active at a national and international level, operating in the metropolitan centers at the highest professional levels. Oriented towards a severe selection of works offered, and to the construction of a good professional image, significant portfolio of clients acquired, almost all a national and
international level.

---LEVEL 7 --- a professional of undoubted international fame, active directly or through agents in at least two countries and operating at the maximum level both professionally and creatively.

DAY RATE

This is a fee-table used to calculate the price of a job that, by mutual agreement with the client, is not paid for each single photo, but on the basis of time employed to execute the assignment.

Working day in own studio (See note)

Fees listed by TAU Visual professional level – See description of levels.

Level 1 lire 400.000 200 euro 250 $
Level 2 lire 600.000 300 euro 375 $
Level 3 lire 900.000 450 euro 560 $
Level 4 lire 1.300.000 650 euro 810 $
Level 5 lire 1.800.000 900 euro 1125 $
Level 6 lire 3.000.000 1.500 euro 1500 $
Level 7 lire 5.000.000 2.500 euro 3125 $

An image of average difficulty, in a simple ambient.

Fees listed by professional TAU Visual levels (see description of levels).

Level 1 lire 135.000 67.5 euro 85 $
Level 2 lire 200.000 100 euro 125 $
Level 3 lire 300.000 150 euro 185 $
Level 4 lire 435.000 217.5 euro 270 $
Level 5 lire 600.000 300 euro 375 $
Level 6 lire 1.000.000 500 euro 625 $
Level 7 lire 1.700.000 850 euro 1050 $

LEAFLETS, BROCHURES, CATALOGUES AND FLYERS

Up to 5.000 copies

Inside photo 100 to 150 euro 125 to 185 $
double page 200 to 250 euro 250 to 315 $
front cover 250 to 350 euro 315 to 435 $

5.000 to 20.000 copies

inside photo 150 to 200 euro 185 to 250 $
double page 250 to 300 euro 315 to 375 $
front cover 350 to 450 euro 375 to 565 $

Si la noi deci se ofera 4 euroi pe poza. Buna treaba. D`aia sunt atitea mertzane si gipane pe strada, pentru ca fotografu` roman (inclusiv subsemnatul) e un incult in general si un incult economic in special si accepta si astia 4 euroi, facind atita rau acestei meserii.
#30248 (raspuns la: #30210) comenteaza . modifica . semnaleaza adminului
cite ceva despre bullying - de nasi la: 15/04/2005 01:14:41
(la: Barbatii romani din diaspora (si nu numai))
in primul rind pt educarea celor din gasca de la bloc :))))
in al doilea rind, pt orice alte persoane civilizate si educate care doresc sa afle mai multe despre bullies si bullying ca fenomen. este un fenomen care apare de la cele mai fragede virste ale copilariei si se extinde in viata sociala si de familie pina la adinci batrineti daca bully -persoana - nu este corectata.

What is bullying?
Bullying is when someone keeps doing or saying things to have power over another person.
Some of the ways they bully other people are by: calling them names, saying or writing nasty things about them, leaving them out of activities, not talking to them, threatening them, making them feel uncomfortable or scared, taking or damaging their things, hitting or kicking them, or making them do things they don't want to do.
Have any of these things happened to you? Have you done any of these things to someone else? Really, bullying is wrong behaviour which makes the person being bullied feel afraid or uncomfortable.

Why do some people bully?
There are a lot of reasons why some people bully.
They may see it as a way of being popular, or making themselves look tough and in charge.
Some bullies do it to get attention or things, or to make other people afraid of them. Others might be jealous of the person they are bullying. They may be being bullied themselves.
Some bullies may not even understand how wrong their behaviour is and how it makes the person being bullied feel.

What is Workplace Bullying?
How do you know if you're being bullied? Bullying differs from harassment and assault in that the latter can result from a single incident or small number of incidents - which everybody recognises as harassment or assault - whereas bullying tends to be an accumulation of many small incidents over a long period of time. Each incident tends to be trivial, and on its own and out of context does not constitute an offence or grounds for disciplinary or grievance action. Workplace bullying includes:
· constant nit-picking, fault-finding and criticism of a trivial nature - the triviality, regularity and frequency betray bullying; often there is a grain of truth (but only a grain) in the criticism to fool you into believing the criticism has validity, which it does not; often, the criticism is based on distortion, misrepresentation or fabrication
· simultaneous with the criticism, a constant refusal to acknowledge you and your contributions and achievements or to recognise your existence and value
· constant attempts to undermine you and your position, status, worth, value and potential
· where you are in a group (eg at work), being singled out and treated differently; for instance, everyone else can get away with murder but the moment you put a foot wrong - however trivial - action is taken against you
· being isolated and separated from colleagues, excluded from what's going on, marginalised, overruled, ignored, sidelined, frozen out, sent to Coventry
· being belittled, demeaned and patronised, especially in front of others
· being humiliated, shouted at and threatened, often in front of others
· being overloaded with work, or having all your work taken away and replaced with either menial tasks (filing, photocopying, minute taking) or with no work at all
· finding that your work - and the credit for it - is stolen and plagiarised
· having your responsibility increased but your authority taken away
· having annual leave, sickness leave, and - especially - compassionate leave refused
· being denied training necessary for you to fulfil your duties
· having unrealistic goals set, which change as you approach them
· ditto deadlines which are changed at short notice - or no notice - and without you being informed until it's too late
· being subjected to disciplinary procedures with verbal or written warnings imposed for trivial or fabricated reasons and without proper investigation
· being coerced into leaving through no fault of your own, constructive dismissal, early or ill-health retirement, etc


ptr. ca tot se vorbeste despre preturi.... - de Dinu Lazar la: 01/08/2005 06:59:04
(la: O conversatie cu DINU LAZAR, fotograf)
Exista o discutie chiar acum pe o lista a fotografilor profesionisti; un amic din State are o replica ce pune pe ginduri...

You know, the thought occurs to me that, thanks to advancements in
technology, the need (as it is perceived by the consumer) for
professional photographers is ever dwindling.

This is not meant as a trolling post to raise ire, but a simple
observation. Remember, 100 years ago doing this newfangled thing
called photography required a quasi-chemistry degree; mixing
emulsions, chemicals, etc. was the state of the art. Not a whole lot
of photos were taken, since one needed a "pro" just to get a single
picture made.

Time passed, new stuff got invented and then George E came along with
the portable camera. Now here was a camera for the masses - anyone's
Uncle Filbert could take some family snaps, but the pro level stuff
was still far more costly and the skills required to use it way
beyond casual - so the profession prospered. If anything, I'd imagine
that seeing the fuzzy badly composed shots from Filbert would incite
more people to want to go to a pro for a "real" portrait.

Another 50-ish years, and nowadays the quality of equipment is nil
between "pro level" and advanced consumer. Heck, they even coined the
term "prosumer" to accommodate the idea of just regular folk owning
fancy gear. Thanks to post production software that can be applied to
digital images, the number of individuals who have access to hitherto
custom or high-end retouching has exploded. So, it is not
inconceivable that the Uncle Filbert of today can and does produce
work as excellent as any pro.

And this is not to denigrate the professionals, who must work ever
harder to convince people that their fees are worth it. Certainly, on
the artistic side the pro's ability to herd the wedding guests or
know how the lighting should be or time to the exact nanosecond
before releasing the shutter are tangible skills that must be
included in the consumer's perception of value. But those skills are
getting buried under the sheer number of advanced hobbyists who are
happy just to get their work published, or honored to be taking the
photos for the family wedding. And, whereas in past decades the
difference between those hobbyists' output and the professionals' was
noticeable, I think we are seeing a time now where that difference is
ever narrowing. In fact, with more images being viewed on screens,
any subtleties of lighting and tonality are all the more lost as when
compared to paper versions (magazine or inkjet).

What I'm saying is that, through no fault of anything but
technological progress, I get the sense that in another 50 years
(probably less) there will no longer be a professional photographic
"industry" - there will be equipment and software providers, but the
huge value added by pros of yesteryear and to a lesser degree today
will shaved even further to the point where commercial venues of
photography will be limited. Photographs as fine art will no doubt
survive, as they should, but it just seems to me that wedding,
photojournalism, and to some degree commercial photography may become
quaint memories by the time our children have grown.
#62717 (raspuns la: #62694) comenteaza . modifica . semnaleaza adminului
PRTL - part 3 - de Horia D la: 29/01/2006 00:22:43
(la: long live the stock market!!)

VectorVest Stock Analysis of Primus Telecom as of 1/27/2006


This report has five major sections.
Capital Appreciation Analysis
Dividend Analysis
Price-Volume Data
Sales / Market Capitalization Information
Summary



Business: PRIMUS TELECOMM GROUP INC, (PRTL) provides bundled international and domestic Internet, data and voice services to business and residential retail customers and other carriers located in the United States, Canada, Brazil, the UK, continental Europe, Australia and Japan.
Business Sector: PRTL has been assigned to the Telecomm Business Sector. VectorVest classifies stocks into over 200 Industry Groups and 40 Business Sectors.
Industry Group: PRTL has been assigned to the Telecomm (Services) Industry Group. VectorVest classifies stocks into over 200 Industry Groups and 40 Business Sectors.

Capital Appreciation Analysis Back to top

Value: Value is a measure of a stock's current worth. PRTL has a current Value of $0.07 per share. Therefore, it is overvalued compared to its Price of $0.82 per share. Value is computed from forecasted earnings per share, forecasted earnings growth, profitability, interest, and inflation rates. Value increases when earnings, earnings growth rate and profitability increase, and when interest and inflation rates decrease. VectorVest advocates the purchase of undervalued stocks. At some point in time, a stock's Price and Value always will converge.

RV (Relative Value): RV is an indicator of long-term price appreciation potential. PRTL has an RV of 0.10, which is very poor on a scale of 0.00 to 2.00. This indicator is far superior to a simple comparison of Price and Value because it is computed from an analysis of projected price appreciation three years out, AAA Corporate Bond Rates, and risk. RV solves the riddle of whether it is preferable to buy High growth, High P/E stocks, or Low growth, Low P/E stocks. VectorVest favors the purchase of stocks with RV ratings above 1.00.

RS (Relative Safety): RS is an indicator of risk. PRTL has an RS rating of 0.65, which is poor on a scale of 0.00 to 2.00. RS is computed from an analysis of the consistency and predictability of a company's financial performance, debt to equity ratio, sales volume, business longevity, price volatility and other factors. A stock with an RS rating greater than 1.00 is safer and more predictable than the average stock in the VectorVest database. VectorVest favors the purchase of stocks of companies with consistent, predictable financial performance.

RT (Relative Timing): RT is a fast, smart, accurate indicator of a stock's price trend. PRTL has a Relative Timing rating of 0.91, which is fair on a scale of 0.00 to 2.00. RT is computed from an analysis of the direction, magnitude, and dynamics of a stock's price movements over one day, one week, one quarter and one year time periods. Once a stock's price has established a strong trend, it is expected to continue in that trend for the short-term. If a trend dissipates, RT will gravitate toward 1.00. RT will explode from bottoms, dive from tops, and reflect changes in price momentum. VectorVest favors the purchase of stocks with RT ratings above 1.00.

VST (VST-Vector): VST is the master indicator for ranking every stock in the VectorVest database. PRTL has a VST rating of 0.68, which is poor on a scale of 0.00 to 2.00. VST is computed from the square root of a weighted sum of the squares of RV, RS, and RT. Stocks with the highest VST ratings have the best combinations of Value, Safety and Timing. These are the stocks to own for above average, long-term capital appreciation. VectorVest advocates the purchase of safe, undervalued stocks rising in price.

Recommendation (REC): VectorVest gives a Buy, Sell, Hold recommendation on every stock, every day. PRTL has a Hold recommendation. REC reflects the cumulative effect of all the VectorVest parameters working together. These parameters are designed to help investors buy safe, undervalued stocks rising in price. They also help investors avoid or sell risky, overvalued stocks falling in price. VectorVest recommends that investors buy high VST-Vector, Buy-rated stocks in rising markets.












Stop (Stop-Price): Stop is an indicator of when to sell a long position or cover a short position. PRTL has a Stop of $0.77 per share. This is $0.05 below PRTL's current closing Price. A stock's Stop is computed from a 13 week moving average of its closing prices, and is fine-tuned according to the stock's fundamentals. High RV, high RS stocks have lower Stops, and low RV, low RS stocks have higher Stops. In the VectorVest system, a stock gets a 'B' or 'H' recommendation if its Price is above its Stop and an 'S' recommendation if its Price is below its Stop.

GRT (Earnings Growth Rate): GRT reflects a company's one to three year forecasted earnings growth rate in percent per year. PRTL has a forecasted Earnings Growth Rate of -5.00%, which VectorVest considers to be very poor. GRT is computed from historical, current and forecasted earnings data. It is updated each week for every stock in the VectorVest database. GRT often foretells a stock's future price trend. If a stock's GRT trend is upward, the stock's price will likely rise. If GRT is trending downward, the stock's Price will probably fall. VectorVest favors the purchase of stocks whose GRT is rising and is greater than the sum of current inflation and interest rates, (9.13%).

EPS (Earnings per Share): EPS stands for leading 12 months Earnings Per Share. PRTL has a forecasted EPS of $-0.81 per share. VectorVest determines this forecast from a combination of recent earnings performance and traditional fiscal and/or calendar year earnings forecasts.

P/E (Price to Earnings Ratio): P/E is a popular measure of stock valuation which shows the dollars required to buy one dollar of earnings. PRTL has a P/E of -1.01. This ratio may be deemed to be high or low depending upon your frame of reference. The average P/E of all the stocks in the VectorVest database is 30.50. P/E is computed daily using the formula: P/E = Price/EPS.

EY (Earnings Yield): EY reflects earnings per share as a percent of Price. EY is related to P/E via the formula, EY = 100 / (P/E), and may be used in place of P/E as a measure of valuation. EY has the advantages that it is always determinate and can reflect negative earnings. PRTL has an EY of -99.00 percent. This is below the current average of 3.28% for all the stocks in the VectorVest database. EY equals 100 x (EPS/Price).

GPE (Growth to P/E Ratio): GPE is another popular measure of stock valuation. It compares earnings growth rate to P/E ratio. PRTL has a GPE rating of -4.95. High growth stocks are believed to be able to justify high P/E ratios. A stock is commonly considered to be undervalued when GPE is greater than 1.00 and overvalued when GPE is below 1.00. Unfortunately, this rule of thumb does not take into account the effect of interest rates on P/E ratios. The operative GPE ratio of 1.00 is valid when and only when interest rates equal 10%. With long-term interest rates currently at 5.73%, the operative GPE ratio is 0.33. Therefore, PRTL may be considered to be overvalued.

Dividend Analysis Back to top

DIV (Dividend): VectorVest reports annual, regular, cash dividends as indicated by the most recent payments. Special distributions, one-time payments, stock dividends, etc., are not generally included in DIV. PRTL does not pay a dividend.

DY (Dividend Yield): DY reflects dividend per share as a percent of Price. PRTL does not pay a dividend, so it does not have a Dividend Yield rating. . DY equals 100 x (DIV/Price). It is useful to compare DY with EY. If DY is not significantly lower than EY, the dividend payment may be in jeopardy.

DS (Dividend Safety): DS is an indicator of the assurance that regular cash dividends will be declared and paid at current or at higher rates for the foreseeable future. PRTL does not pay a dividend, so it does not have a Dividend Safety rating . Stocks with DS values above 75 typically have RS values well above 1.00 and EY levels that are much higher than DY.


DG (Dividend Growth Rate): Dividend Growth is a subtle yet important indicator of a company's financial performance. It also provides some insight into the board's outlook on the company's ability to increase earnings. PRTL does not pay a dividend, so it does not have a Dividend Growth rating .

YSG (YSG-Vector): YSG is an indicator which combines DIV, DY and DG into a single value, and allows direct comparison of all dividend-paying stocks in the database. PRTL does not pay a dividend, so it does not have a YSG rating . Stocks with the highest YSG values have the best combinations of Dividend Yield, Safety and Growth. These are the stocks to buy for above average current income and long-term growth.

Price-Volume Data Back to top

Price: PRTL closed on 1/27/2006 at $0.82 per share

Open: PRTL opened trading at a price of $0.77 per share on 1/27/2006.

High: PRTL traded at a High price of $0.87 per share on 1/27/2006.

Low: PRTL traded at a Low price of $0.75 per share on 1/27/2006

Close: PRTL closed trading at price $0.82 per share on 1/27/2006. (Close is also called Price in the VectorVest system)

Range: Range reflects the difference between the High and Low prices for the day. PRTL traded with a range of $0.12 per share on 1/27/2006.

$Change: PRTL closed up 0.07 from the prior day's closing Price.

%PRC: PRTL's Price changed 9.33% from the prior day's closing price.

Volume: PRTL traded 3,392,427 shares on 1/27/2006.

AvgVol: AvgVol is the 50 day moving average of daily volume as computed by VectorVest. PRTL has an AvgVol of 1,232,600 shares traded per day.

%Vol: %Vol reflects the percent change in today's trading volume as compared to the AvgVol. %Vol equals ((Volume - AvgVol) / AvgVol ) 100. PRTL had a %Vol of 175.23% on 1/27/2006

CI (Comfort Index): CI is an indicator which reflects a stock's ability to resist severe and/or lengthy price declines. PRTL has a CI rating of 0.47, which is very poor on a scale of 0.00 to 2.00. CI is quite different from RS in that it is based solely upon a stock's long-term price history. VectorVest advocates the purchase of high CI stocks.

Sales / Market Capitalization Information Back to top

Sales: PRTL has annual sales of $1,237,000,000

Sales Growth: Sales Growth is the Sales Growth Rate in percent over the last 12 months. PRTL has a Sales Growth of -13.00% per year. This is very poor. Sales Growth is updated each week for every stock. It is often useful to compare Sales Growth to Earnings Growth to gain an insight into a company's operations.

Sales Per Share (SPS): PRTL has annual sales of $12.37 per share. SPS can be used as a measure of valuation when comparing stocks within an Industry Group.

Price to Sales Ratio (P/S): PRTL has a P/S of 0.07. This ratio is also used as a measure of valuation. Here, too, it is useful when comparing stocks within an Industry Group.

Shares: PRTL has 100,000,000 shares of stock outstanding.

Market Capitalization: PRTL has a Market Capitalization of $82,000,000. Market Capitalization is calculated by multiplying price times shares outstanding.

Summary Back to top

PRTL is overvalued compared to its Price of $0.82 per share, has below average safety, and is currently rated a Hold.

The basic strategy of VectorVest is to buy Low risk, High reward stocks. We suggest that Prudent investors buy enough High Relative Value, High Relative Safety stocks to keep the overall RV and RS ratings of their portfolios above 1.00. As you do this, you'll find that your risk will go down and your investment performance will improve.

Graphs

Primus Telecom


Telecomm (Services)








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#102709 (raspuns la: #102707) comenteaza . modifica . semnaleaza adminului
Puddle of Mud - de Guinevere la: 13/04/2006 19:44:54
(la: Muzica)
She Hates Me (Puddle of Mud)
Ascult de-astea cu hatred si simt invers, ca fara intortocheli parca nu merge. :o)

Si-un pic bla-bla:
The opposite of love is not hate, it's indifference.
And the opposite of life is not death, it's indifference.


#117161 (raspuns la: #117072) comenteaza . modifica . semnaleaza adminului
Brasovene si andrutzo (sau invers)... - de adynet1 la: 30/12/2008 13:00:33
(la: ÎNJURĂTURA– EJACULAŢIE MINTALĂ)
Mi-ati placut, iar ca recompensa si tot in directia dizertatiei :

Acesta este un e-mail intern pentru angajaţii romani de la o
reprezentanţa in Romania a unei mari corporaţii

To: All Romanian Speaking Staff
Subject: Improper Language Usage

It has been brought to our attention by several officials visiting our
office in Romania that offensive language is commonly used by our
Romanian speaking staff. Such behavior, in addition to violating our
policy, is highly unprofessional and offensive to both visitors and
staff. All personnel will immediately adhere to the following rules:

1.. Words like futui, în pula mea, pula and other such expressions
will not be tolerated or used for emphasis or dramatic effect, no matter
how heated a discussion may become.
2.. You will not say si-a bagat pula when someone makes a mistake, or
s-a cacat pe el if you see someone being reprehended, or baga-mi-as,
when a major mistake has been made. All forms and derivations of the
verb a se caca and a se fute are utterly inappropriate and unacceptable
in our environment.
3.. No project manager, section head or administrator under any
circumstances will be referred to as pula de om, cacanaru' or boul.
4.. Lack of determination will not be referred to as pulălău nor will
persons who lack initiative be referred to as muiangiu.
5.. Unusual or creative ideas offered by management are not to be
referred to as porcarii.
6.. Do not say futu-ti măta if somebody is persistent; do not add pula
mea, if a colleague is going through a difficult situation. Furthermore,
you must not say am pus-o (refer to item 2) nor o să ne-o tragă when a
matter becomes excessively complicated.
7.. When asking someone to leave you alone, you must not say du-te-n
pula nor should you ever substitute "May I help you?" with, ce pula mea
vrei?.
8.. Under no circumstances should you ever call your elderly industrial
partners bosorogi împutiti.
9.. Do not say ia mai mereti-n pula cu cacatu' asta when a relevant
project is presented to you, nor should you ever answer futu-te-n cur
when your assistance is required.
10.. You should never call partner representatives as boul dracului or
tâmpitu' ala.
11.. The sexual behavior of our staff is not to be discussed in terms
such as pizdulica buna, futaciosu' or homalau' lu' peste.
11.. Last but not least, after reading this note, please do not say ma
sterg la cur cu textul asta.

Just keep it clean and dispose of it properly.

Thank you.


sorinele - de zaraza la: 18/05/2009 18:30:15 Modificat la: 18/05/2009 18:33:22
(la: Ghicitoare)
Patrunjel, semiluna este simbolul islamului, fie ca este pe drapelele oficiale ale tarilor musulmane, fie ca nu. O stiu pana si copii de gradinita numai tu nu.

hai ca m-ai enervat, dar tot raul spre bine, am mai invatat ceva. poate inveti si tu, cu ocazia asta si data viitoare incearca sa nu te mai informezi de la copiii de gradinita.

check this out:

The American Muslim scholar, Sheik Yusuf Estes, Director of islamtomorrow.com, and National Chaplain WAMY, adds:

“The symbol of Islam IS NOT the crescent moon and the star, but it was used by the last Islamic Dynasty, the Ottoman’s. The Ottoman Empire deemed it appropriate to use the star and crescent as their symbols, but not the symbols of Islam. I repeat, the star and the crescent moon are not a part of the religion of Islam. Because Islam is so strict on the concept of no other gods with Allah; and no images of any kind; it is a mistake to consider that Islam authorized the general use of such things. Additionally, Islam forbids the images (statues) of any kinds of humans, animals or any of Allah’s creations, so how about using a symbol for Islam?”


luata de aici:

http://www.islamonline.net/servlet/Satellite?pagename=IslamOnline-English-Ask_Scholar/FatwaE/FatwaE&cid=1119503544398


#440658 (raspuns la: #440601) comenteaza . modifica . semnaleaza adminului
ia vezi Ioane - de PROUDFRECKLED la: 07/10/2011 18:23:48
(la: Un text dificil...)
poate asta te ajuta:
Photobucket

ia de vezi cat de veche este scrierea:

[1]The Voiage and Travaile of Sir JOHN MAUNDEVILLE,
Kt. Which treateth of the Way to Hierusalem; and of Marvayles
of Inde, with other Ilands and Countryes. Now Publish'd entire
from an Original MS. in The Cotton Library (London, 1727),
cap. xxvi. pp. 325 and 326. "This work is mainly a
compilation from the writings of William of Boldensele, Friar
Odoric of Pordenone, Hetoum of Armenia, Vincent de Beauvais,
and other geographers. It is probable that the name John de
Mandeville should be regarded as a pseudonym concealing the
identity of Jean de Bourgogne, a physician at Lige, mentioned
under the name of Joannes ad Barbam in the vulgate Latin
version of the Travels." (Note in British Museum Catalogue).
The work, which was first published in French during the latter
part of the fourteenth century, achieved an immense popularity,
the marvels that it relates being readily received by the credulous
folk of that and many a succeeding day.
O scurta definitie - de LMC la: 04/11/2004 20:11:19
(la: Alegerile in USA)
Daca mai vrei si alte explicatii intreaba.

A fundamental principle of Liberalism is the proposition: "It is contrary to the natural, innate, and inalienable right and liberty and dignity of man, to subject himself to an authority, the root, rule, measure, and sanction of which is not in himself". This principle implies the denial of all true authority; for authority necessarily presupposes a power outside and above man to bind him morally.
poezie poezie.. - de giocondel la: 11/03/2005 02:46:57
(la: Măicuţă, ştiu că nu poţi să m-auzi)
nu stiu de ce dar imi suna a cosbuc si mie mi-a placut mult cosbuc cand eram in clasele primare...( prima poezie memorata, cand aveam vreo 3 ani, e cea cu lupul ce umbla prin sat sa fure/si sa duca in padure/ pe copii care plang) asa ca imi place poezia cu rima chiar daca "unili guri zice" ca nu e la moda...


". O SON OF BEING!
Busy not thyself with this world, for with fire We test the gold, and with gold We test Our servants." ( The Arabic Hidden Words)



subiect cu nabadai - de giocondel la: 11/03/2005 04:19:12
(la: Barfa)
ma tem ca cetitorii nostrii nu au inteles exact la ce te referi.

una este sa stai la taclale cu prietenii despre mici shushanale si alta este sa barfesti oamenii pe la spate...gest care in ultima instanta este lispit de noblete si denota micime sufleteasca, indiferent de cine este subiectul barfei.

barfa, veti fi surprinsi sa aflati :):):), este o grava eroare umana, ce are capacitatea de a inabusi frumusetea unui spirit, intuneca lumina inimii omului.

fiecare om este responsabil pentru o viata numai, si aceea este propria sa viata. mai intai este de preferat sa ne uitam in propria gradina si sa vedem parul din propriul nostru ochi, inainte de a ne grabi sa emitem judecati despre altii.

constructiv si demn naturii noastre nobile si divine este sa trecem cu vederea miile de calitati negative ce le vedem in ceilalti si sa cautam intotdeauna sa vedem ceea ce este bun, oricat de mic ar fi dar mai ales sa iertam si sa incurajam.

de multe ori mi s-a intamplat sa ma aflu in situatii in care mi se spuneau lucruri negative despre o persoana pe care nici macar nu o cunoscusem, insa cand am ajuns sa intalnesc persoana respectiva am ajuns la propriile mele concluzii, si am descoperit cu totul altceva decat imi fusese prezentat, la o mica barfa. si intotdeauna este surprinzator si frumos sa acorzi sanse oamenilor.

si atunci cand constatarile facute sunt clare si evidente si celalalt poseda defecte saritoare in ochi, tot mai bine este sa nu le mentionezi in stanga si in dreapta, sa iti ocupi timpul in care ai putea face ceva frumos pentru cineva, oricine, cu denigrarea altei fiinte umane, cu intristarea unui suflet.

barfa este incompatibila cu cerintele unitatii si armoniei si ucide spiritul dragostei de semeni, camaredenia si nobletea.

cea mai uracioasa caracteristica a fiintei umane este gasirea de greseli in celelalte fiinte..sigur, e haios sa faci mishto si sa razi de prostia altora, sau vanitatea sau egoismul vecinului, dar in fond nu e treaba noastra sa judecam pe ceilalti ci a Altcuiva.

si niciunul dintre noi, oamenii, nu este perfect, desi perfectibil..si eu si dumneavoastra, avem slabiciuni, defecte, poate nu foarte evidente pentru noi insine, caci ne place tare sa ne maimutzarim si sa pretindem ca suntem centru si buricu' pamantului, mai destepti si mai frumosi decat cei din jurul nostru..dar adevarul este ca altora s-ar putea sa le aparem ca avand defecte grave, enervante...si asta de ce??pentru ca oamenii sunt inclinati sa judece la prima vedere, sau la a doua, sau condusi de prejudecati, fara a ii cunoaste cu adevarat pe ceilalti.

haideti sa ne gandim la Cel ce cunoaste secretele fiecarei inimi, greselile si erorile fiecarui suflet... cat de iertator este El si rabdator si cum ascunde si nu face evidenta confuzia si departarea noastra de spiritul eternitatii...in fata Lui, si cel mai mare pacatos are o sansa, pstru ca este vesnic iertator si mila Sa este mai presus de dreptatea Sa chiar. de aceea nu este intelept sa judecam pe altii, mai ales ca nu ne cunoastem propriul nostru sfarsit.

Oamenii sunt divini, sunt purtatori ai esentei si luminii divine, sunt nobili, ascund in sine bijuterii de calitati stralucitoare...si merita sa fie Iubiti si incurajati. asa cum voi , cum eu , avem nevoie si ne hranim cu cuvinte bune si ganduri pozitive, asa si cei din jurul nostru pot fi influentati cu un gand constructiv, un cuvant frumos..cuvantul este o putere creatoare de neimaginat...la fel poate fi foooarte distrugatoare, depinde cum este folosita.

si , iarasi, Divinitatea, a pus in mainile noastre alegerea: de a intelege ca suntem cu totii unul, uniti, in oceanul dragostei lui imense,frati si surori, parti ale aceluiasi corp, frunze ale aceluiasi copac, flori in aceeasi gradina a creatiei, sau sa ne incapatanam s a ne vedem separati si sa ne radem unii de altii..e ca si cum am rade de noi insine, caci suntem cu totii parte din acelasi Tot.

Numai bine tuturor!

"O Son of Man! Breathe not the sins of others so long as thou art
thyself a sinner. Shouldst thou transgress this command, accursed
wouldst thou be, and to this I bear witness" -The Kitab-i-Aqdas-



Simeon - de Cassandra la: 15/06/2005 01:40:07
(la: despre toleranta)
“Dar o orânduire în care biologii şi-ar impune punctul de vedere şi restul ar fi nevoiţi să suporte în case, şcoli, birouri, obiectele fojgăinde ale simpatiei lor nu m-ar atrage prea mult, orice PIB ar avea.”

Consistent with respect for human rights, the practice of tolerance does not mean toleration of social injustice or the abandonment or weakening of one's convictions. It means that one is free to adhere to one's own convictions and accepts that others adhere to theirs. It means accepting the fact that human beings, naturally diverse in their appearance, situation, speech, behaviour and values, have the right to live in peace and to be as they are. It also means that one's views are not to be imposed on others.

Declaration of Principles on Tolerance. UNESCO on 16 November 1995.
#54924 (raspuns la: #54828) comenteaza . modifica . semnaleaza adminului
De invatat - de Dinu Lazar la: 14/08/2005 08:08:05
(la: O conversatie cu DINU LAZAR, fotograf)
Un link important pentru oricine are sau zice ca are sau chiar n-are legatura cu fotografia profesionala dar vrea sa stie cum merg lucrurile: http://www.danheller.com/biz-marketing
Si inca o chestie tare: http://www.danheller.com/truisms.html
Si bomboana pe coliva, citeva fraze care pun punctul pe i:
-------------
Once a year we rent out a large
meeting room at a downtown hotel, send out hundreds of invitations to
potential buyers of our services, and for $25 or so, we each get a table to
display our wares. We may use pretty much whatever methods we want to catch
the attention of attendees. The other event we sponsor is a portfolio
showcase, wherein we rent space at a local gallery once a year and put up
our photos, layouts, etc., on boards, on the walls and on easels. We invite
hundreds to this event as well. It is more of a passive interaction. All of
the creatives involved try to be in attendance, but that is not required. I
have found it helpful to be on site to answer any questions and to smooze.
On the other hand,the seminars I have attended have been informational, like
a Photoshop techniques or Epson or a Fuji. I can't say that attending
seminars would or would not be helpful for you or anyone else. For me, I
always pick up at least one useful bit of information. I think that everyone
has to come up with his/her own mix of promotion. For me, I seem to get more
work as I get out and about, interact, give out cards, get all the free
promo I can. My hard copy portfolio has gone out only once in the last three
years, to Parade Magazine. I was stunned to learn that they still want to
see trannys and/or tear sheets, not just the cyber equivalent.
Good luck with the web site, and with it's promotion. As far as people
stealing your work, I really believe there is no way to completely eliminate
that. I just keep stuff lo res, watermarked, etc. I have not designed a web
site, but a couple of photo friends have, and they say that Adobe GoLive is
just point and click. Takes about half a hour, so I hear. If this student
web designer daughter of a friend of mine does not come through with my
personal site very soon, I will try GoLive.
I hasten to add a disclaimer: If I had all the answers, or just a few of
them I would be clipping coupons in Bermuda just to keep busy, living off my
trust fund and sipping faux pina coladas (can't drink alcohol, but love the
beach). What sites are some of your photos on?
#65264 (raspuns la: #65257) comenteaza . modifica . semnaleaza adminului
Pasagere - de Horia D la: 21/12/2005 22:20:18
(la: Va plac militantii ori va agaseaza ?)
nu vreau sa te contrazic, dar eu cred ca lumea ar fi fost mult mai bine fara ei.... ca prea multi idioti i-au luat in serios:))

si vad ca-l citezi pe M Twain.. nu tot el a zis "Be thankful for Fools!! But for them, the rest of us could not succeed" :)))
#96474 (raspuns la: #96473) comenteaza . modifica . semnaleaza adminului
ca veni vorba de tepe - de Dinu Lazar la: 11/04/2006 06:56:06
(la: O conversatie cu DINU LAZAR, fotograf)
"Pana ma dumiresc cum sta treaba aici, sau pana se dumireste treaba, mai bine zis, prefer sa lucrez altceva in afara de fotografie,"

Cred ca treaba e lamurita, nu exista o scara a valorilor, orice bou care
pune mina pe aparat si habar nu are ce e profunzimea e la fel de bun
ca unu care are zeci de ani de experienta si toceste mii de carti
de fotografie. La italieni e mai simplu, adicatelea ciumpalacii sunt
precis departajati, pe caste:


-- LEVEL 1 --- A professional of sufficient or medium capacity without particular
specialization, active at a local level, normally or minimally equipped and generally
speaking oriented towards low budget jobs.

--- LEVEL 2 --- A professional of sufficient or medium capacity in line with the
majority of assignements offered in his area. Active in an ample area locally without
particular specialization, normally equipped and oriented towards economic solutions for clients.

--- LEVEL 3 --- A professional of good preparation with a medium technical capacity
in line with average quality standards, nationally speaking. Active at a provincial
and or regional level with a reasonable number of clients acquired, not available
for the more economic assignements. This photographer will sometimes require the
services of an art buyer, stylist, make up artist, etc.

--- LEVEL 4 --- A professional well prepared with a technical capacity which is
medium or medium-high. Active in different regions and able to guarantee a perfect
technical level for all normal shooting conditions, with a complete range of equipment.
This photographer will often require the services of an art buyer, stylist, make up artist, etc.
according to the needs of the client. Oriented towards the selection of work offered with
exclusion to those of minor interest. An interesting portfolio of clients with at least one
job a year with a nationwide diffusion.

--- LEVEL 5 --- A professional who is very well prepared with a medium-high or high
level technical capacity, without doubt very well known compared to the average photographer
in the same area; active both regionally and nationally and able to guarantee technically
perfect results for all the accepted assignments, requires other professionals for the solution
of specific problems and oriented towards a selection of works offered, with a significant portfolio
of clients, undertaking al least 3 or more jobs with a nationwide diffusion a year.

--- LEVEL 6 --- An exceptionally well prepared photographer working both technically and
creatively at a very high level, significant in absolute. Active at a national and international
level, operating in the metropolitan centers at the highest professional levels. Oriented towards
a severe selection of works offered, and to the construction of a good professional image, significant
portfolio of clients acquired, almost all a national and international level.

---LEVEL 7 --- a professional of undoubted international fame, active directly or through agents
in at least two countries and operating at the maximum level both professionally and creatively.
#116695 (raspuns la: #116530) comenteaza . modifica . semnaleaza adminului
as simple as that - de thebrightside la: 21/04/2006 12:31:36
(la: cum tratezi un "commitment phobic" ?)
U give him/her all the freedom/space she/he needs..:)

Eventually will b sick&tired of it..:)) (Or not..)
in this very moment - de Bitterdream la: 16/09/2006 08:13:31
(la: Muzica)
Tiamat - Church of Tiamat.......chiar merita....imi pare rau ca nu epatez pe nimeni si nu spun Gregorian Songs






The tragedy of life is not that it ends so soon, but that we wait so long to begin it (W. M. Lewis)
raspuns tarziu - de Bitterdream la: 18/09/2006 19:45:15
(la: Omul, mamifer monogam ?)
anual, ca sa te mai dezamagesc un pic.....am o preocupare - Cafeneaua, desigur, nu sexul. si-mi face bine. mai bine decat terapia ocupationala prin scris prost. hmmmm. poligamie cu siguranta. indiferent cu cata senitate spunem invers.
desi ar fi de discutat. foarte mult.


__________________________
The tragedy of life is not that it ends so soon, but that we wait so long to begin it (W. M. Lewis)
#146108 (raspuns la: #145676) comenteaza . modifica . semnaleaza adminului



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